Belonging in Othello and Dead Poets Society

?Good morning/afternoonA sense of belonging is not a static state for it is shaped by the ever-changing perceptions and the unique needs of the individual. In the human condition, an individual’s desire for integrity often clashes with their campaign for inclusion and amity.

Certain texts exemplify how protagonists sense of belonging can be amplified or diminish through the perceptions and philosophies of society and the sense of the community they are surrounded with, William Shakespeare’s play ‘Othello’ and Peter Weir’s film ‘Dead Poets society’ present these principles through sundry contextual techniques which emphasizes the role of belonging in a individuals way of life.Shakespeare’s Othello depicts the Elizabethan culture, illustrating how women were beleaguered and marginalised in society as that is what they felt they needed to be to have a place in the community, where as in our day and age it would be considered a inconceivable way to behave as a sense of belonging is not a static shape and has been changed perceptions of society and the individuals needs. In the opening scene Brabantio claims he has been ‘robbed’ when he realises that his daughter Desdemona has run off with Othello, exclaiming that she has been “stolen from me” almost like his daughter is an object rather than a person.

He is showing a great disappointment which in turn makes Desdemona feel like she isn’t accepted in Venetian society as she is following her individual need, which is to be with Othello.In the later stages of the play Iago uses manipulation to gain a higher position in Venetian society as that is what his individual need is to have a strong sense of inclusion, one of his techniques is to turn Othello against his own wife to gain an advantage over him, he says;“O, beware, my lord, of jealousy; It is the green-eyed monster which doth mock The meat it feeds on.”In this he is making Othello believe that it is in..

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